When Dr Viv DuLac, medievalist and academic, finds a mysterious runic inscription on a Rune Stone in the graveyard of her husband’s village church, she unwittingly sets off a chain of circumstances that disturb their quiet lives in ways she never expected.
She, once again, feels the echoes of the past resonate through time and into the present.
Can she unlock the secrets of the runes in the life of the 6th century Lady Vivianne and in Viv’s own life?
Again, lives of the past and present intertwine alarmingly as Viv desperately tries to save them both, without changing the course of history.
About Julia Ibbotson
Dr Julia Ibbotson is fascinated by the medieval world and the concept of resonances across time. She sees her author brand as a historical fiction writer of romantic mysteries that are character-driven, well-paced, evocative of time and place, well-researched and uplifting page-turners.
Her current series focuses on early medieval dual-time/time-slip mysteries.
Julia read English at Keele University, England, specialising in medieval language/ literature/ history, and has a PhD in socio-linguistics. After a turbulent time in Ghana, West Africa, she became a school teacher, then a university academic and researcher.
Her break as an author came soon after she joined the RNA’s New Writers’ Scheme in 2015, with a three-book deal from Lume Books for a trilogy (Drumbeats) set in Ghana in the 1960s. She has also indie-published three other books, including A Shape on the Air, an Anglo-Saxon timeslip mystery, and its two sequels The Dragon Tree and The Rune Stone. Her latest, Daughter of Mercia, is the first of a new series of Anglo-Saxon dual time mystery/romances where echoes of the past resonate across the centuries.
Her books will appeal to fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, and Christina Courtenay. Her readers say: ‘compelling character-driven novels’, ‘a skilled story-teller’, ‘evocative and well-paced storylines’, ‘incredible writing style’, ‘intricately written’, ‘absorbing and captivating’, and ‘an absolute gem of a trilogy’